Monday, July 30, 2012

YAMAHA Blu-ray Player BD-S673

MSRP: $329.95

Built-in Wi-Fi and Superior Connectivity

• Wi-Fi support allows easy connection
• iPhone/iPad, Android phone/tablet and Kindle Fire compatible app for easier operation
• One-touch power on and playback from AV receiver SCENE button via HDMI CEC
• DLNA certified client

Blu-ray 3D™ and BD-Live™ Features

• Supports playback of Blu-ray 3D™, the latest video format
• Connect to the Internet to access the fun and informative features that BD-Live™ provides
• BONUSVIEW™ provides secondary video and audio for enhanced commentary and information
• Virtual Package for new entertainment possibilities

Audio Features

• Audio playback of all current HD formats
• Direct bitstream and multi-channel Linear PCM output via HDMI
— analog 2-channel down-mixed audio output
• 192kHz/32-bit audio DAC
• FLAC file playback compatibility

Video Features

• 1080p/24Hz-compatible HDMI video output
• x.v.Color and Deep Color compatibility
• 1080p playback for DVDs, photos and home movies

Advanced Features

• Netflix compatibility for Internet video streaming
• YouTube Leanback compatibility
• Picasa compatibility for viewing digital photos
• Firmware update capability via Internet
• On-screen display GUI
• Multimedia compatibility:
MKV with H.264, MPEG PS, MPEG TS, MPEG-4, VOB, AVI, ASF, WMV, DivX Plus HD, AVCHD (Video)
MP3, WMA, AAC, WAV, FLAC (Audio)
JPEG, GIF, PNG (Picture)
• Playback of JPEG slideshows with MP3 audio sound track
• Setup wizard makes setup easy.Yamaha.com

Specs

BLU-RAY DISC PLAYER

VIDEO / AUDIO PERFORMANCEMedia CompatibilityDLNA, USB, BD-Video, BD-R/RE (BD-MV), DVD-Video, DVD-R/-RW (DVD-Video, DVD-VR), DVD+R/+RW (Video and VR mode), CD-DA, CD-R/-RW
File CompatibilityVideo: MKV with H.264, MPEG PS, MPEG TS, MPEG-4, VOB, AVI, ASF, WMV, DivX Plus HD and AVCHD. Audio: MP3, WMA, AAC, WAV and FLAC. Photo: JPEG, GIF and PNG.
Video Output1 Vp-p/75ohms
Component Video OutputY : 1 Vp-p/75ohms, Pb : 0.7 Vp-p/75ohms, Pr : 0.7 Vp-p/75ohms
ConnectivityHDMI Output1 (480i, 576i, 480p, 576p, 720p, 1080i, 1080p, 1080p@24 Hz)
USB Port (Front Panel / Rear Panel)1 / 1
Digital Audio Output (Optical / Coaxial)1 / 1
Component Video Output1
Composite Video Output1
2-Channel Mixed Audio Output1
Ethernet1 (Wi-Fi built-in)
Remote Control Input / Output1 / 1
GENERALStandby Power Consumption≤ 0.5W
Dimensions (W x H x D)17-1/8” x 3-3/8” x 10-1/8”
Weight6.2 lbs.

MARANTZ PM-15S2B LIMITED

While the PM-15S2 Limited features luxurious, black anodized aluminum casework, the beauty of this extraordinary new component runs more than skin deep. Key design attributes, some first explored in the award winning MA-9S2 monoblock amplifier, lift the sonic integrity of the 15 to a level that belies its approachable price. HDAM-SA3 modules offer high slew rate and low noise operation and contribute to the highly resolved sonic character of the component. A custom-wound torroidal power transformer anchors a high current, regulated power supply that’s been newly tuned for quick response. Twin 20,000 microfarad filter capacitors are custom made for Marantz and provide huge current reserves for enhanced bass control. A current feedback power amplifier delivers 90 watts per channel into 8 ohms and features a DC servo for superior low frequency response. Vinyl enthusiasts will appreciate the fast, sonically neutral qualities of the constant current feedback moving magnet phono stage, as well as the vivid imaging afforded by a digitally controlled analog volume stage that boasts channel to channel accuracy within .5 dB. HDAM-SA2 modules are deployed in a buffer configuration at the CD input for enhanced linearity. A Bi-Mode setting makes it possible to operate two PM-15S2 as mono-integrated amplifiers for total left-right channel isolation while a power amp direct input allows complete integration with a home theater processor at the touch of a button.marantz.com

Saturday, July 28, 2012

Sharp XV-Z30000 3D DLP Video Projector

Price: $4,999 At a Glance: Vivid, bright picture • Good black level and contrast • Excellent color with PC-accessible picture controls

The new XV-Z30000, however, retains and even improves upon that earlier design’s strengths. It doesn’t eliminate all of its weaknesses, but it puts some of the most significant ones to rest. While it resembles its predecessor in some ways, by and large it’s a clean-sheet redesign.
Description
The XV-Z30000 is a compact, single-chip, DLP design. Its lens is mounted front and center, protected by a clear cover. The latter remains in place when the projector is in use, with the picture projected through it.
The roughly 2:1 zoom ratio can fill a 100-inch-diagonal, 16x9 screen at throw distances from 10 feet, 4 inches to 20 feet, 9 inches. (Sharp has conveniently provided formulas for this in the owner’s manual: for a 16:9 screen, minimum distance = 0.1032 x screen diagonal; maximum distance = 0.2079 x screen diagonal.) The lens’ zoom, focus, and shift (vertical and horizontal) are all motorized—a major upgrade from the manual lens in the XV-Z17000. Just as significant, the lens offset in the new model offers a much more practical range of vertical mounting positions. The older projector had to be placed either very low or very high to fill the screen without producing keystone distortion (a trapezoidal rather than a clean, rectangular image). There is a keystone control here (horizontal and vertical), but with lens shift it’s not needed. (Keystone correction reduces image resolution and is always best avoided.)
Another new feature is a lens memory with two different settings. Each of them saves not only zoom, focus, and shift, but most other important picture settings as well, including Picture Mode. I did find that minor lens shift tweaks were needed when I switched between the memories. But this feature is nevertheless a godsend for users who have need of it, such as using the zoom method to go from a 16:9 to a 2.35:1 screen.
The exhaust vents are located along the curved front of the chassis. There’s a significant amount of light leakage from these vents—not enough to affect the onscreen image but enough to be annoying, depending on the viewer’s location relative to the projector. The XV-Z30000 isn’t as quiet as the latest, near-silent Sony or JVC designs, but even with its lamp on high (Eco+Quiet Off), while standing 3 to 4 feet from the projector, the fan noise was masked by most soundtracks and was never distracting.
The Sharp refreshes at 120 hertz (60 Hz for each eye in 3D). In either 2D or 3D, the projector converts 24 fps (frames per second) sources—essentially all movies on Blu-ray—to 60 Hz by adding 3:2 pulldown. This isn’t the best approach, as it throws away the advantages of 24 fps (which avoids frame judder). But on a wide range of program material, it produced no obvious visible artifacts.

Each of the 11 Picture Modes can be set up separately for 2D and 3D. I worked with User1 and User2 for 2D, and Dynamic (3D) for 3D. Using Dynamic mode doesn’t exactly send a thrill up a video perfectionist’s leg (more likely a chill), but you need all the brightness you can get with any projector for 3D, provided it doesn’t do serious damage to the image. Dynamic mode also engages the Bright Boost control—a control I’d never recommend for 2D.
A CLR Temp (color temperature) control offers five fixed-white balance settings. Finer adjustments, which you’ll need for a precise calibration, were limited in my sample to single overall red, green, and blue controls, not high and low. The adjustment possible with two so-called CMS (color management system) controls was even more limited. Each can deal with just one color, chosen by the user. After hours of tedious fiddling, with test tools at hand, I decided the visible benefit of these CMS controls was so subtle and inadequate that I left them off for all the results presented here.
The single color temperature/grayscale adjustments, however, proved more useful than you might expect, since the grayscale deviations out of the box were relatively uniform across the brightness range. After a few hundred hours of use, however, that might not necessarily be the case. It will depend on how consistently the projection lamp degrades with age at high and low brightness levels.
There are two iris controls. Iris1 (Manual) offers just two fixed settings: High Brightness and High Contrast. Iris2 (Auto) engages a dynamic iris that closes down on darker scenes to enhance the projector’s black level.
The Eco+Quiet control switches between the high- and low-lamp modes. Sharp claims a lamp life expectancy (to half brightness) of 3,000 hours with Eco+Quiet set to On (low lamp), but does not specify the life expectancy with it off (high lamp). A critical viewer will likely want to use the lamp on high with a screen of the most preferred sizes, and should plan on replacing it much sooner than its specified life—perhaps in as little as 1,000 hours. The MSRP for a replacement lamp is $500.
A gamma control offers five different fixed settings. The -1 position ultimately worked best for me in 2D, but other settings were useful on some sources. The measured gamma is a little non-uniform with Iris2 selected (Auto), but that’s typical for a dynamic iris. The projector also offers Custom Gamma control, but this proved less useful than I had hoped

Color and Detail Enhancement controls offered no improvement in the accuracy of the Sharp’s images, so I left them both at their minimum positions. There’s also a separate Anamorphic control (directly accessible on the remote control) for those who plan to use the Sharp with an anamorphic lens.
The projector offers no motion smoothing/motion interpolation. DLP projectors, despite their high operating speed, can’t totally eliminate motion smear, but they are generally a little better at it than other projection technologies. In any case, since I never use motion interpolation, even when it’s included, I didn’t miss it here.
A Reset control returns all of the settings for the mode you’re in to their factory default settings. But be careful. There is no “Are you sure you want to reset this mode?” warning. On two occasions, I accidentally reset all of the controls while making some fine adjustments. Luckily, I’d written down all the settings—a word to the wise.
A 3D menu offers controls to turn 3D off or on (although it will come on automatically when the projector senses a 3D source), select the appropriate 3D mode when necessary, and enhance or subdue the 3D depth in 16 steps. There is no 2D-to-3D conversion mode.
The Sharp XV-Z30000 comes standard with two pair of active glasses and an external IR 3D transmitter to activate them. The glasses offer the option of turning off the 3D effect for individual viewers who may find 3D uncomfortable, allowing them to see a 2D picture without a double image.
The remote lacks backlighting but can directly access each of the projector’s inputs (including two HDMI), select or deselect the two iris modes, change the Eco+Quiet (lamp) setting, cycle through the picture modes, adjust the most often used picture controls, activate the lens memory modes, and more.
2D Performance
All of the testing and viewing of the Sharp XV-Z30000 was done with between 100 and 225 hours on its projection lamp. The projector’s HD video processing was good (see the Video Test Bench). The 2:2 HD failure was borderline.
While I alternated on occasion between the two screens available to me—a 101-inch-wide, 2.35:1 Elite (specified 1.1 gain) and a 78-inch-wide, 16x9 Stewart StudioTek 130 (specified 1.3 gain), the Elite saw the heaviest duty. The observations here, unless noted otherwise, reflect the results on that larger screen. The low-lamp setting (Eco+Quiet on) was far too dim for use on a low-gain, 101-inch screen, so I chose high (Eco+Quiet off). I also set Iris1 to High Brightness, which together with the high-lamp mode produced a peak 2D brightness of about 20 foot-lamberts on the Elite. I actually had to turn down the Contrast control by several steps to get the level this low: This is one very bright projector! I would have preferred a multistep adjustment for Iris1 instead of the two fixed options.
I did all of my viewing with Sharp’s auto iris (Iris2) engaged. Automatic (dynamic) irises can dramatically improve the peak (full-on/full-off or sequential) contrast ratio, but they don’t always do so without side effects, such as obvious pumping of the image brightness as the iris opens and closes. However, the XV-Z30000’s auto iris (Iris2) worked beautifully. The only times I thought I caught a hint of it operating turned out to be in the source material itself.
Similarly, the ubiquitous single-chip, DLP rainbow effect (brief, random, and annoying flashes of rainbow-like color) was virtually absent here. The Sharp uses a six-segment (RGBRGB) color wheel operating at 5x, or 150 revolutions per second (6x or 180 rps in 3D). In dozens of hours of watching, I can’t recall a single serious attack of the rainbows, and I’ve always been hypersensitive to them. Some individuals are not.
Out of the box, and after properly setting its Brightness, Contrast, and Sharpness controls, the Sharp produced a subjectively good picture. Its color balance was definitely off, but not in a way that would be obvious to most viewers. Once the lamp had settled in, however, a full calibration improved matters significantly. But as noted earlier, short of that new firmware, there were simply not enough color controls, with sufficient flexibility, to massage the projector into a first-class calibration.

The most serious offender was the color gamut. The location of green, in particular, was oversaturated and pulled slightly toward yellow. This slices off some required colors on the left side of the CIE chart (see HT Labs Measures), colors that are needed for an accurate HD (Rec. 709) color gamut. This green position, according to my ISF contacts, can also add as much as 20 percent to a projector’s brightness.
Was the Sharp’s color, to the eye, truly awful? Not at all. Post-calibration, the grayscale was both measurably and subjectively respectable. While the color gamut was definitely off target, the deviations were not anywhere near as visible as you might expect. The oversaturated reds made bright-red objects pop a bit too much, magenta edged toward purple, and cyan was a bit undersaturated. But the average viewer will not likely notice any of this and will be fine with the Sharp’s color as is. The poppy red fan club has a large, happy membership.
Still, I wasn’t happy that I couldn’t hit the HD standard dead-on. The fussy videophile (like me) can hope for the day when Sharp at least provides a full set of white balance/grayscale controls (high and low), and a full color management system that works properly, with full adjustments for the three primary and three secondary colors.
Improving on the Sharp’s color would be a big deal, because in all other respects, this projector blew me away. I wasn’t impressed with the earlier XV-Z17000, but the changes Sharp has made with this new model, both functional (a better dynamic iris in particular) and ergonomic (full motorized lens adjustments, with memories), puts it squarely in the home theater projector race.
The Sharp’s picture is as detailed as any projector I’ve reviewed, and sharper than most. That includes some far more expensive models. Its sharpness extended across the full width of the 101-inch Elite screen; when viewed close up, the pixels at the edges were very nearly as well defined as those at the center. Single-chip DLPs have an inherent advantage here over LCD and LCOS designs, since with only one imaging device, there are no panel-alignment issues. Chromatic aberration—a lens artifact that can produce misalignment of the colors as well, particularly as you move away from center—was not totally absent . But it was not an issue.
The Sharp’s black level, even with its dynamic iris engaged, was not quite as deep as in the best of the recent Sony and JVC projectors. But it was nevertheless very good (see HT Labs Measures).
The result of these strengths, which was not really compromised subjectively by the projector’s inaccurate color, was compelling performance on a wide range of material. Despite its shaky-cam cinematography, Battle Los Angeles looked terrific. It’s a mostly brightly lit film and was consistently crisp and sharp. Its inherent color balance is subdued in most scenes, but its flesh tones on the Sharp looked natural and believable. War Horse, apart from its battle sequences, is far more colorful. The green of the British countryside looked realistic and not in any way cartoonish (turning the Color control down a few steps helped). The special features on this box set, all of them in HD, looked even better. The outtakes from the film, the behind-the-scenes shots, and the talking-head interviews looked truly spectacular on the Sharp.
As for black level and shadow detail, only the darkest, lowest-contrast scenes turned a little foggy. But such scenes are rare, and very few projectors I’ve reviewed can do significantly better with them. In any event, you will want to use the dynamic iris. Without it, the dark scene performance was significantly degraded. With it, the gloomiest scenes in, for example, Harry Potter and the Deathly Hallows: Part 2 were rich and deep, with fine shadow detail.

3D Performance
Sharp claims this projector produces a bright, punchy 3D image, and in a relative sense that’s true. But also true is the fact that there is a dramatic loss of brightness from 2D levels, even in the Dynamic Picture Mode. In that respect, the XV-Z30000 is little different from most 3D displays we’ve tested.
But even the Sharp’s 3D was punchier than you might expect—more so than many of its competitors. One reason for this is its relatively low gamma in 3D (mostly under 2.0 at best). A low gamma lightens the middle of the brightness range and gives the impression of a brighter image, despite a low peak-white level. The dark 3D glasses help minimize the image washout a low gamma can often produce.
The Sharp’s convincing and satisfying 3D images were also notably free of ghosting. On The Adventures of Tintin, reviewed on page 77, it worked beautifully, offering some of the best 3D I’ve seen—a credit both to the source material and the projector. Ditto the remarkable, live action plus CGI on Legends of Flight, a 3D IMAX documentary about the building of the Boeing 787 Dreamliner.
In much of the 3D I watched on the Sharp, I went back and forth as to whether I preferred the 3D versions, with their greater depth, to the 2D versions with their much higher punch and brightness. As usual, I came down on the side of 2D brightness. But watching 3D on the Sharp was great fun, and I never regretted the time I spent doing it.

Conclusions
Ultimately, the Sharp misses a Top Pick selection by a nose, largely because of its color issues and value. I could have easily gone either way with the call. But my video perfectionist side won out on color. On the value side, both the Sony VPL-HW30ES and the JVC DLA-X30 are available, similarly equipped, for about $1,000 less. Both offer superior color and deeper black levels, although they are arguably less achingly crisp, somewhat less bright (but bright enough), and more prone to 3D ghosting than the Sharp.
You pay your money and you take your choice. But I enjoyed my time with the Sharp so much that I could easily live with it indefinitely if I had no need for more accurate color or state-of-the-art blacks. I do have these needs, but if you’re not a video perfectionist, or even if you are, you owe it to yourself to see this projector.
Back in the day when all home projectors that mattered were DLPs and priced at more than $10,000, Sharp produced one of the best on the market, the XV-Z20000. These days, price pressures have made the boundaries more restrictive, but if the XV-Z30000 is any indication, Sharp could yet do it again.
(Editor’s note: At press time, upon seeing our review for fact check, Sharp suddenly informed us that new service menu “firmware has been added to the XV-Z30000 to provide full CMS control of all the primary and secondary colors.by thomas j norton

Thursday, July 19, 2012

Denon POA-3012CI 12 Channel Multi-Zone Audio Distribution Power Amplifier

For whole-house audio distribution, the POA-3012CI provides the custom integrator with a host of configuration and control options, including the ability to provide multiple mono, stereo and bridged (high power) outputs to drive speakers anywhere in the home. Each of the 12 power amplifier channels features the latest digital amplifier technology for superb sound along with cooler running and reliability. Each channel is rated at 30 watts (8 ohms), with assured reliability 4 ohms drive capability. For more output, channel pairs can be bridged, providing 120 watts output (8 ohms), ideal for driving in-wall subwoofers, for example. Designed for easy setup and installation, the POA-3012CI features front panel controls for configuration, level setting, and other adjustment options, along with a front panel lock control that prevents inadvertent user mis-adjustment. The rear panel’s Ethernet IP port features web-enabled setup and configuration, and an RS-232C serial port provides additional control options.denon.com

Tuesday, July 17, 2012

Onkyo TX-NR5010 9.4 Channel Receiver

 Onkyo flagship, a company known for shoving features into their receivers at price points we never thought possible, assume that we are extra interested.

The Onkyo TX-NR5010 is the new flagship of the Onkyo receiver line. At $3000, it certainly has a price tag to match. But the real question is what you get for your money. As you might expect, the TX-NR5010 has THX Ultra2+ Certification.While specifics of the power handling have not been released, the previous model sported 145 watts per channel. Expect no less from this newer model. The chassis has separate anti-resonant aluminum top and side panels and a massive toroidal transformer supported by two discrete transformers for audio and video processing.
Partly because of the layout of the gold-plated speaker terminals (11 pairs), the back of the TX-NR5010 is uncluttered. The receiver has nine internal amps which can be routed and re-routed into whatever configuration you want. It has pre-outs for 11.4 channels (stereo subwoofer channels with two outputs a piece). These pre-outs can be used in conjunction with the internal amps for a true 11 channel experience via DTS Neo:X. This gives you the normal five channels (mains, center, surrounds) plus surround backs, front height, and front wide speakers. If you don't have need for all these amps/channels, you can route them to power either of the other audio zones or to bi-amp your mains. HDMI or composite video can be sent to Zone 2 as well.
While there are no s-video inputs, there are a host of composite video, two component video, and nine (one front mounted) HDMI inputs. The Onkyo has dual HDMI outputs which can either be used simultaneously or which can be routed to Zone 2 (can output 1080p to the second zone). There is a front mounted USB port that is Made for iPhone/iPod as well as a rear USB port for adding more permanent media storage. There are three each coaxial/optical digital audio inputs as well as two antenna inputs - one for the main zone and a second for Zone 2. There are even twelve volt triggers for Zone 2 and 3 as well as RS-232 control and a PC input.
For room calibration, Onkyo has included Audyssey's top of the line MultEQ XT32. This allows calibration of all channels including the dual subwoofers with multi-channel upmixing from DTS Neo:X, Audyssey DSX, and Dolby Pro Logic IIz. Other top-tier features include InstaPrevue - a picture-in-picture preview for your HDMI inputs, front panel Mobil High-Definition Link HDMI port for phones or camcorders, and Cisco Linksys' SimpleTap technology. We weren't sure what that was so we looked it up:
With SimpleTap, connecting devices to the home network is magically simple. When installing new devices such as Smart TVs, printers or tablets, anyone can now use the Cisco Connect Cloud mobile app on their smartphone to get their compatible device connected in a matter of seconds. Connecting is as easy as pressing the virtual Wi-Fi Protected Setup button in the mobile app and, in the near future, as easy as scanning a Near Field Communications (NFC) tag that may be bundled with or integrated in various consumer electronic (CE) products.
The Onkyo TX-NR5010 is networked and can be controlled via Onkyo's remote app. It is also DLNA Certified for local streaming and pre-configured for many of the main streaming services such as Spotify.
But the main job of a receiver is to power speakers and rout signals. Onkyo has included a number of top quality components including a sophisticated digital-to-analog conversion stage, with PLL jitter-cleaning, VLSC noise-mitigation, and top-quality TI Burr-Brown DAC modules. Signals are then amplified through discrete Three-Stage Inverted Darlington Circuitry, with a triple transistor array that cuts distortion and boosts current flow to the speakers. A new Differential DAC Mode and Digital Crossover Processing Network are also included to optimize performance when bi-wiring and bi-amping the front channels.
Onkyo has included its Dual C
ore Video Engine which pairs the HQV Vida VHD1900 module with Marvell’s Qdeo technology for upscaling to 4K. ISF video calibration inclusion allow each video input to be optimized by the power user or custom installer. The GUI is overlayed on the HDMI output for seamless interaction with your receiver.
There are some fairly glaring issues we find with the new Onkyo TX-NR5010. First, there are no analogue inputs for integrating legacy gear. The previous Onkyo model had them. Two component video inputs also seems low to us for a flagship model. The TX-NR5009 had three. While not all the stats have been released on the TX-NR5010, the only real advancements we see are the inclusion of the DTS Neo:X 11 channel support and HDMI output to Zone 2. Sure there are a few other things, but nothing all that impressive or that we can't get on other receivers for a lot less. We were also surprised that Apple's AirPlay support was not mentioned. It may come out later, but we aren't holding out much hope.

Conclusion

The selling point of the Onkyo flagship TX-NR5010 is 11.4 channel DTS Neo:X support. While it can only power nine of those channels, if you are dishing out $3000 for a receiver, we're guessing you have a few external amps lying around somewhere. With tons of other top of the line features like ISF calibration, HDMI output for Zone 2, 4k upscaling, InstaPreview, and much more, the TX-NR5010 has the guts to be the heart of your home theater. But if you aren't planning on using all 11 channels, you might be able to get most of these features for less elsewhere.

Saturday, July 14, 2012

REL G-2


REL's most recent exposition on amplifier topology, driver technology and operational interface. Housed within a sumptuous furniture-grade enclosure finished in gloss piano black lacquer resides a long throw 10” long-throw carbon fiber driver powered by 450 watts of Class A/B amplifier power. The G-2 features the award-winning REL connectivity suite providing the most flexible and sonically transparent integration, weight and low-frequency authority to the main loudspeaker system. Employing an extensively braced enclosure sculpted in a truly sensuous shape, the G-2 is relativity compact and elegant with its finely tuned shape. Finished in furniture-grade hand-rubbed high-gloss piano black lacquer the G-2 will blend into virtually any interior environment. REL's vast engineering experience is evident in the G-2's power amplifier. Featuring a linear Class A/B topology employing MOS-FET devices, massive power supplies and transformers. Execution of build and component part choice is first-class resulting in extensive ruggedness and reliability. Mated to this bass engine is a tight-wind carbon fiber 10” drive unit capable of an exceptional pistonic stroke of 1-1/2 inches! This drive unit was necessary in order to generate the ultimate in loudness required to underpin today's high-performance main loudspeakers.

The REL connectivity suite allows for using both high and low level input options. Exclusive to REL is the ability to blend and individually control both signals that, for example is useful in a home cinema system where the sub-bass system must reproduce both main speaker and .1/LFE low frequency content. Additionally, Class-D main power amplifiers cause no problem to the G-2 thanks to REL-D™, a proprietary circuit that creates the proper grounding environment for most Class-D amplifiers.

Adding to the overall user experience is the G-2's IR remote control. The unique round disc-shaped remote features three rotary encoder dials that control all adjustments for HI/LO Level, Crossover Frequency and .1/LFE Level. Phase, and Settings Lock are controlled via toggle switches. Located on the bottom front of the G-2's enclosure is a large, bright LED readout providing a visual indication of all the G-2's current settings. Now, for the first time, setup and adjustment can be done from the comfort of you listening position.


 the REL G-2 has included connectivity to allow multiple units to be used in conjunction with one another either in stereo pairs or vertically stacked towers. Doing so results in huge wave fronts of air, conveying the true power and majesty of a musical or film sound event effortlessly. The REL G-2 embodies all the traditional REL virtues of performance, design and reliability and is available for audition at your nearest authorized REL dealer.
 
Type: Closed box, front firing woofer
Drive Unit: 10 in., 250mm long throw, carbon fiber cone
Lower Frequency Response in Room: -6dB at 18Hz
Input Connectors: High-Level Neutrik Speakon, Low-Level stereo phono, LFE phono, LFE XLR
Output Connectors: High-Level Neutrik Speakon, LFE phono, LFE XLR
Gain Control Range: 80 dB
Power Output: 450 Watts (RMS)
Phase Switch: Yes, 0 or 180 degrees
Amplifier Type: Class AB
Protection System: Fully Electronic with SET-SAFE: Yes
D.C. Fault: Yes
Output Short: Yes
Mains Input Voltage: 220-240 volts, 110-120 volts for certain markets
Fuses: 5 Amp semi delay 230 volts operation
10 Amp semi delay 115 volts operation
Dimensions (WHD):
Including Feet
20 x 16.4 x 24 in., (508.8 x 417.3 x 610.4 mm)
Net Weight: 84lbs. (38.1kg)
Finish: Gloss Piano Black Lacquer
Cherry
Gloss Piano Black Lacquer
Supplied Accessories
Main Lead:
Yes
Neutrik Speakon Interconnect 10 Meters Nominal:
Yes
Users Manual:
Yes
Remote Control:
Yes
Batteries (AAA x 2):
Yes
Spikes (x 4):
Yes
Allen Key (2.5mm):
Yes
* In the interest of product development, we

Wednesday, July 11, 2012

Focal Chorus 836W Loudspeakers Hands-On Review

The 836W Prestige is a three-way bass reflex design, featuring two front-firing ports and one down-firing port. The drivers consist of three six-and-a-half-inch Sandwich W woofers, one six-and-a-half-inch Sandwich W midrange driver and a one-inch aluminum/magnesium inverted dome tweeter. While most Focal speakers use beryllium tweeters, the 836W features an aluminum/magnesium combination that is said to enhance rigidity, while also providing greater damping. The woofers and midrange drivers feature W cones, which incorporate spun glass on either side of their foam cores. According to Focal, this extra effort is made to enhance rigidity, reduce overall mass, and improve dampening characteristics. Frequency response is 40Hz - 28kHz (+/- 3dB) and sensitivity is rated at 92dB, which means you don't need 500-watt monoblock amps to drive them.The 836Ws are fairly imposing at just over 45 inches tall by 11.1 inches wide by 14.8 inches deep. They also weigh a stout 66 pounds each and definitely make a statement in a listening room, especially my review samples, which came with Imperial Red (as Focal calls it) on either side. They're also available in black, but why not punch things up a bit?
The aluminum base is sturdy, aesthetically pleasing and also designed to provide plenty of space between it and the speaker's down-firing port.
The Hookup
I'll start this portion by saying that, given their price point, the packaging of the Focals left a bit to be desired, but they are good enough to get the speakers from point A to point B. Once you get these suckers out of the box, let me tell you that they are are aesthetically stunning. From the dramatic shape of the grille, which wisely leaves the tweeter exposed, to the gorgeous red panels on the side, they're a sight to behold and quite compelling conversation pieces.
Focal_Chorus_836W_floorstanding_speaker_review_tweeter.jpgAfter securing each of the speakers' aluminum bases, I connected them to my current reference system, which consists of the spectacular Cary Cinema 12 processor, which I recently reviewed, an Integra DTA-70.1 multi-channel amp, an Oppo BDP-93 Blu-ray player, a Cambridge Audio DacMagic, a MacBook Pro and a Music Fidelity V-Link USB to S/PDIF converter. For playback software, I used Stephen Booth's Decibel, a solid audio upgrade over iTunes that will only set you back $33. All of the cabling came courtesy of WireWorld.
Performance
After roughly 24 hours of break-in and some experimentation with placement ,First up was the soundtrack from the film Into the Wild which is a standout solo effort by Pearl Jam front man Eddie Vedder. I played a lossless version of the soundtrack through my MacBook Pro, connected via the V-Link and Cambridge Audio DacMagic. My mom happened to be in the room as I played the track "Hard Sun" and her comment was, "It sounds like he's standing in the room with us." Such was the experience I had time and again with the Focals. These speakers are revealing, but not in an overly clinical way. The texture in the vocals, as well as in the instrumentation, was exemplary. By closing your eyes, you could hear Eddie's fingers sliding up and down the neck of his guitar. It was quite an engaging experience and definitely the best I've heard this track sound.
 I thought it was time to jump right into some high-resolution audio, in the form of Madeleine Peyroux's "The Kind You Can't Afford." I downloaded this from HDTracks.com as part of Sound & Vision's Ultimate HiDef Music Experience, which is still available for a very affordable six bucks. What first struck me was how well the Focals conveyed all of the range and soul in Madeleine's voice. The 836Ws produced a vast, compelling image and weren't overly picky about placement. Some of the sweetest-sounding tweeters I've heard have been made of beryllium, an incredibly strong, lightweight element that is also used to make missiles, though I prefer its high-end audio applications. As I mentioned in the introduction, Focal chose an aluminum/magnesium inverted dome tweeter for the 836's, and it is an absolute stunner. This tweeter is right up there with some of the best I've heard in terms of being detailed and open, without sounding the least bit edgy or harsh, regardless of what's playing through it. Further, I would say that in terms of frequency range, it was the highs that really stood out to me again and again as I listened to the Focals. I am in no way suggesting a lack of balance in the speakers - rather, I'm simply pointing to the fact that, in my opinion, the tweeter is the star of this show.

Next up was a bit of rock in the form of The Red Hot Chili Pepper's "Rain Dance Maggie" from their latest offering I'm With You (Warner Brothers). This is the standout track on the album and it features plenty of low-frequency material, which was conveyed with authority through the Focals. They threw a broad, resounding soundstage with Anthony Kiedis' voice floating in the middle of the room. A common theme with audiophiles, when we encounter speakers of this caliber, is to make the statement "I heard things in the track I've never heard before." That was the case here. I went ahead and throttled the volume, not just to test how the speakers would handle it, but also because I was enjoying the experience. In case you're wondering, the Focals hold up extremely well at high volume, showing no strain and no lack of coherence. I doubt the same could be said of my neighbors after that particular listening session.

Craving a bit more high-res love, I played Peter Gabriel's "Flume," which is a Bon Iver cover from Gabriel's Scratch My Back (EMI). This is yet another HDTrack's download and one of my favorites thus far. Each keystroke of the piano was an audible treat, creating its own voice in this haunting track. The Focals conveyed Gabriel's vocals with an eerie transparency, showing spot-on resolution and truly remarkable balance. I know I keep harping on their high-frequency acumen, but their midrange prowess is also considerable. It will probably come as no surprise that their dynamic range is also notable, especially in this song as moments of quiet instrumentation transition into loud, shrill vocals from Gabriel. This one begged to be played back several times. I found the Focals' midrange performance on this and other tracks to be sweet, smooth and highly detailed.

Next up was an audiophile favorite in the form of Hugh Masekela's "Stimela," which is from his album Hope (Triloka Records), This was an absolute audio treat and the best I've heard this track sound since that Burmester demo, which featured over $150,000 worth of gear. "Thank you for coming in, sir, would you like to buy a condo or an audio system?" Who buys this stuff? Anyway, back to the track, it runs the gamut in terms of high, low and midrange frequencies. From Hugh mimicking the whistle of the coal train, to his brilliant horn play, to the drum beats thumping in my chest, the Focals provided a truly transformative experience. Their resolution and coherence were simply stunning, as were their ability to recreate live music without adding any unwanted sonic artifacts.

Focal_Chorus_836W_floorstanding_speaker_review_woofer.jpgThe Downside
you're going to need space and potential spousal approval. It's also worth noting that their overall design is dramatic, especially if you opt for the red panels on the sides. While these aren't negatives per se, these types of design elements can make it more difficult to fit them into a given room/lifestyle.
In terms of performance, while I thought their low-frequency performance was spot-on and well balanced, I will say that total bass junkies and maybe fans of rap music might want to look elsewhere, as these speakers simply weren't designed to plumb those sorts of depths. I don't care how low these speakers are measured, in a top-performing system, I would look for a subwoofer (or two) to pair them with, as they have the potential to shine even more by leaving the truly deep stuff to the subs. Not that you "need" subs with the Focals, but if you want to go all the way, this is the path. Very reasonably, I could suggest this would be an upgrade path after the credit card is paid down a little.

Competition and Comparison
While I haven't heard an abundance of speakers that can compare with the 836Ws, especially in their price range, I can recall a couple of standout demos. One speaker that blew me away a few years ago at CES was the PSB Synchrony One, which retails for $5,500/pair. If you put the screws to me, I'd tell you that I would save the thousand bucks and buy the Focals, as I prefer a more open, airy top end and the PSBs are a bit darker in character.
Another speaker worth a look, or I guess I should say listen, is the Usher Mini Dancer 2, which retails for $5,000 per pair. This is another speaker company that put on an amazing demo at CES, though the same can't be said of their website. The Ushers feature a beryllium/titanium tweeter that rivals that of the Focals and their fit and finish is also exemplary.
Monitor Audio is another manufacturer that might be worth your time, specifically the Gold GX300 which retails for $5,500 per pair. While I haven't listened to the GX300s, I can tell you that Monitor Audio speakers are generally well-received by the audiophile community. All of that said, if $5,000 for a pair of speakers is simply out of your price range, I would suggest taking a look at some of PSB's other, more affordable speaker lines such as the Imagine T, which can be had for a couple of grand per pair.
.
Focal_Chorus_836W_floorstanding_speaker_review_speaker_line.jpgConclusion
There's a level of sophistication to the sound of the Focals that (I'm going to be chided for saying this) you really do need to spend this kind of money to hear. There are some very rare exceptions to this rule: Magnepan comes to mind, although with Maggies, you're going to sacrifice some low-end performance and you need big power to drive them properly. As I mentioned in the Competition and Comparison section, comparable speakers, at least the ones I've heard, are going to cost you about the same as the Focals.
Every aspect of the 836Ws smacks of the high end, from their design, both internally and externally, to their ability to peel back every layer of the instrumentation and vocals in a given piece of music. Also, due to their revealing nature, they'll let you know right away if the track you've fired up is of lesser audio quality, something I demand in a speaker.
A truly high-end pair of speakers can bring you back to your first concert, back to your childhood,This was my experience with the Focals, as they literally made me want to take a couple of days off from work and do nothing but re-experience my music collection. Just about all of what I heard during both critical and casual listening sessions simply blew me away. If budget constraints have you wincing at these price points, I strongly recommend putting the majority of your budget into speakers of this caliber, then doing your homework to mate them with an affordable, high-performing amp and processor combination.
 the Focal 836Ws are the best-sounding speakers I've had in my listening room to date. I've spent more time compiling this review than any other I've written, mainly in an effort to explain just how good these speakers.by sean killebrew

REVEL Concerta Loudspeaker Series

The Revel® brand was begun in 1996 with the express goal of building the world’s finest loudspeakers. Undertaking such a goal – let alone accomplishing it – would require an investment in research, engineering and manufacturing facilities unprecedented for a startup company. Yet with the resources of Harman International fully behind it, the very first Revel system, the Ultima Gem® loudspeaker, caught the attention of reviewers and audiophiles around the world. The consensus? “Live music in the home just doesn’t get any better.”
Revel systems continue to set the standard for acoustical accuracy, benefiting from cutting-edge design tools unavailable to most manufacturers. The proprietary anechoic chambers and Multichannel Listening Lab facilitate precise measurements and double-blind listening tests under conditions that duplicate a wide variety of listening environments. A laser interferometer enables comprehensive driver and cabinet assessments at every stage of development. Finite-element analysis streamlines advanced loudspeaker modeling. Stereo lithography equipment allows Revel engineers to achieve the tightest manufacturing tolerances.
By design, Revel Concerta™ Series loudspeakers offer amazing value. But you can be assured that they’ve been developed with the same stringent attention to musical honesty and engineering precision that are the hallmarks of every Revel system.

Tuesday, July 10, 2012

Philips' unannounced 9 series flagship TVs get exposed

already unveiled an entire set of HD, LCD televisions back at last year's CES, the next obvious step for Philips would be to work its way up the entertainment ladder and take the wraps off of its flagship 9 series. Fortunately for us (and you), though, a recently leaked document's giving us an early peek of what we can expect from the manufacturer as it tries to re-invade living rooms all over the globe. According to the revealing docs, Philips will be adding the 9707 and 9607 Smart TVs to its 9 series repertoire, offering viewers a choice between a relatively large 46-inch or a more colossal 60-incher -- both reportedly "very thin." Additionally, the intelligent couple's said to be loaded with 3D Max features, a 1200Hz Perfect Motion Rate system, and both are expected to be powered by the outfit's Perfect Pixel HD processing technology.given its Smart TV status, it'll come with the usual WiFi capabilities as well as a number of apps to pick from.

Sony STR-DN1030 AV receiver with AirPlay, WiFi and Bluetooth

 the AirPlay sporting, built-in WiFi and Bluetooth AV is officially available. The 7.2 channel, 145-watt per channel STR-DN1030 retails for $499 and is the first AV receiver to not require some sort of dongle or other accessory, to connect wirelessly to your other gadgets. That means it is all that much easier to stream music to it from your Apple AirPlay, DLNA, or Sony Entertainment Network source. All seven of the inputs on the back support HD and of course the usual assortment of audio codecs and video up conversion features you'd expect are included. Still not sure it's right for your home theater? Maybe the additional details in the press release after the break will push you over the edge.by ben drawbaugh

Sunday, July 8, 2012

KEF Reference Series 205/2

 

 Model 205/2 is an assertively musical performer when it comes to conveying the nuances of recorded sound – full-bodied, vigorous and sublimely expansive without ever compromising the unerring fidelity with which it reproduces intricate detail, however complex.kef.com
ModelModel 205/2
DesignBass reflex three-way floorstanding loudspeaker, magnetically shielded
Drive Units2 x 200mm (8in.) LF, 1 x 165mm (6.5in.) Uni-Q MF including a 25mm (1in.) titanium HF
Crossover Frequencies400Hz, 2.3kHz
Sensitivity (2.83V/1m)90dB
Frequency Response (+/-3dB)45Hz - 60kHz
Maximum Output115dB
Amplifier Requirements50 - 300W
Magnetic ShieldingYes
Impedance8 Ohms (3.2 Ohms min)
Bass Extension35Hz (-6dB)
Weight33Kg (72.6lbs)
Dimensions (H x W x D)1105 x 285 x 433 mm (43.5 x 11.2 x 17 in.)
FinishesPiano Black, High Gloss American Walnut, High Gloss Cherry, Satin Black, Satin American Walnut, Satin Cherry and Satin Sycamore real wood veneers

Thursday, July 5, 2012

SMART VIERA® 65" Class VT50 Series Full HD 3D Plasma HDTV

Enjoy the Ultimate 3D Experience

Active Shutter Progressive 3D Method

The display alternately shows images for the left and right eyes. The left and right lenses of the eyewear open and close in sync with this display timing to show separate images to the left and right eyes. By repeating this action at high speed, the brain perceives 3D images. And because this method displays FULL HD 3D images just as they are, both eyes receive 3D images in high, full-HD quality.
* 3D Eyewear is required for viewing 3D images.

Panasonic 'FULL HD 3D' is defined as follows:

• Compatible with 1,080p 3D signal
• Panel has native resolution of 1,920 x 1,080p display

Crisp, Clear Moving Pictures

2,500 Focused Field Drive

This original Panasonic technology detects image movements like the human eye, and optimizes the drive accordingly. By achieving instantaneously powerful light emission rather than finely divided emission, it reduces the afterimages that cause blurring. As a result, fast movement is reproduced with excellent clarity.

Ultimate Black Even in Any Condition

Infinite Black Ultra

Improvements to the panel filter that blocks the entry of external light, and advances in the pre-discharge control that can cause black floating have enabled deeper, jet-black shades. And preventing light loss in the panel cells allows VIERA to portray bright, crisp images at all times. Even in brightly lit living rooms, deep areas within dark scenes and fine textures are rendered with meticulous detail.

Richer Black Details

24,576 Equivalent Steps of Gradation

Even highly nuanced black images in dark areas that were previously impossible to express are now rendered with incredible fidelity. Finer light emission due to a newly developed drive technology raises the steps of gradation by as much as four times over previous systems. Nighttime skies and other dark areas that were prone to blocked shadows are beautifully reproduced.
* When using Cinema mode.

Color Reproduction Faithful to the Original

1,080p Pure Direct

The 1,080p Pure Direct function transmits and outputs high-quality YUV 4:4:4 30-bit video signals directly to the TV. This reproduces colors that are highly faithful to the original.

Beautifully Reproduced Crisp Lines

Pure Image Creation

Diagonal lines and edges are detected with high precision in each scene for all types of images, and optimal correction is applied to achieve beautiful, highly natural, noise-free lines.

Expressive, Lifelike Colors

Vivid Color Creation

The brightness, saturation, contrast and sharpness of colors are finely compensated in each scene. Highly vivid colors are produced with hardly any mutual interference. People's faces are also detected, and skin tones are beautifully corrected to ensure soft, natural complexions.

Smooth Reproduction of Web Movies

Web Smoother

The blurring that often happens in web images is eliminated to produce naturally smooth motion.

Easily Convert 2D Images into 3D

2D-3D Conversion

Unique Panasonic technology converts 2D images into high-quality 3D images in real-time. The image depth is analyzed from the compositional, color and brightness data of each scene, to convert 2D images into naturally beautiful 3D images. In addition to ordinary TV programs, this method can be used to convert a variety of 2D images — such as web content, Blu-ray Disc™ media, and photos and movies saved onto SD Memory Cards — into 3D images with a high level of precision.
* When a 2D source is converted to 3D, the 3D effect is slightly less pronounced than with 3D sources.

Movie Content with Smooth Playback

3D 24p Cinema Smoother

Enjoy naturally flowing 24p films and familiar TV-like quality. In plasma displays, increasing the number of frames creates smoother images. When reproducing images from a 24p film source, VIERA's 24p cinema smoother function generates smooth, natural-looking images.

Turn Your Living Room into a 3D Theater

THX® 3D Certified Display

In order to enjoy the original image quality of a movie, you need to have a display that portrays the images exactly as the movie's creators intended. VIERA has cleared the high standards set by the THX Certified Display Program. It reproduces both 2D and 3D images with cinema-like quality. Enjoy beautiful images that are optimal for movies.
* THX and the THX logo are trademarks of THX Ltd. which are registered in some jurisdictions. The THX 3D logo is a trademark of THX Ltd. All rights reserved.
* Certification pending for the 65 inch.

Image Calibration Customized to Your Home

ISFccc Calibration Mode with Advanced Calibration

An ISF-certified installer can calibrate your VIERA, so that image reproduction is customized to the actual viewing conditions in your home and your personal preferences. The calibration process provides the settings that bring out the full expressive potential within the image signals. Settings for contrast, tint, sharpness and color are optimized to meet your home's lighting conditions for both daytime and nighttime viewing.
* ISF and IMAGING SCIENCE FOUNDATION are trademarks owned by Imaging Science Foundation, Inc.
* This function is exclusively for installer use. It is not intended for use by ordinary consumers.

A New TV Sound Experience

3D Real Sound with 8-Train Speakers


Speaker System


8-Train Speakers

Eight dome-type microspeakers with reflectors deliver wide-ranging, high-quality sound. Only about 8 mm thick, these compact units also contribute to the beauty of the narrow-edge design.

Super Slim Sub-Woofer

The sub-woofer, which is mounted to the rear surface of the panel, delivers robust bass sounds. Its super slim design, with a thickness of only 22 mm, helps to keep the entire display attractively thin.

Sound Lifting Driver

Original Panasonic acoustic-field compensation technology produces highly accurate sound imaging. Matched to human auditory characteristics, the frequency for the bandwidth in which the sound is located is adjusted and the optimal compensation is applied.

Learn more:

Easy Operation


* The TV photos used in these illustrations may differ from the actual models being described.

Change the Way You Operate

VIERA remote App Support: Smartphone Remote

VIERA remote App lets you use a smartphone or tablet device as a remote control. Tap and flick-based commands are intuitive. Text input is easy, too, with familiar keyboard operation. These handy devices also make great gamepads.

More Comfortable Operation

Free Point Operation

More intuitive free-point operation for web browsing, by using the touch screen as a touchpad.

Gamepad Operation*

Gamepad operation for VIERA Connect game applications which can be enjoyed on the large screen.
* Gamepad operations can be used only for games downloaded from the VIERA Connect Market.

Linking Content Enables Greater Enjoyment

Browser Linkage

You can display the same web pages on VIERA and smartphone with easy operation.

Media Flick

Enjoy photos, music and movies on VIERA and smartphone anytime.
* Learn about the setup instructions, main features, FAQs and more information.

* Learn about the setup instructions, main features, FAQs and more information.

Change the Way You Operate

VIERA Touch Pad Controller

Designed especially for web page browsing, this remote fits snugly in the hand. Simply scroll it with your thumb for easy, PC-like operation without even having to look at it.

Change the Way You Operate

Simple Remote Control

This remote features easy-to-see characters and an easy-to-understand button layout. It lets everyone in the house operate VIERA quickly and easily.

Switch Between Several Pages Freely

Multitasking TENTATIVE

Multiple VIERA Connect applications can be easily switched with the task display. There is no need to open and close applications every time. This makes VIERA Connect applications more fun to use.
* Some applications do not support the task display.

Instant Support When You Need It

Product Support Center

Frequently asked questions (FAQ) about connecting peripheral devices and operating methods are explained using movies. They are easy for everyone, young or old, to understand. A video guide can be accessed from VIERA Connect.
* Requires the downloading of a free app from VIERA Connect Market.

Inside the User's Manual

eHELP

No more need to search through the User's Manual. Now you can find out how to operate and connect devices right on your TV screen. Just press the HELP button on the remote control to display the eHELP.

Networking


* The TV photos used in these illustrations may differ from the actual models being described.

Takes You to a New World

VIERA Connect

VIERA Connect is an internet service for TVs based on the use of cloud servers.
It brings you video-on-demand (VOD), catch-up TV, games, educational content, and lots more, through a wide range of apps. It's a great way to relax in your living room with family and friends.

Find your favorite apps:

Large-Screen Web Browsing with Your Family

Web Browser

The browser supports HTML5 pages, so you can browse the Internet much like you do with a PC. Unlike a PC, though, the large screen allows the whole family or a group of friends to comfortably view a wide variety of content.

Neat and Comfortable Wireless Internet Connection

WiFi Built-In

It is easy to connect to the internet or a home network by using the WiFi Built-In function. There is no need for cords or cables, so the layout is flexible and the room stays neat and uncluttered. Using a wireless connection for VIERA Connect and employing the DLNA function make it easy to share photos and movies.
* A wireless LAN environment is required to use the WiFi Built-In function.

A Home Network Linking the Entire House

DLNA

A DLNA-compatible VIERA makes network connection super easy. It makes content easy to share by linking equipment over a home network. Enjoy photos, movies, music and more in the living room, bedroom, or any room in the house.

Get More Excitement Out of Gaming

Game Mode

Games are much more fun when there's no lag in operation. VIERA automatically chooses settings that provide the optimal image, so you get super-fast response and no delays. Even dark scenes with delicately rendered details are beautiful and easy to see. Game mode makes all of the game apps on VIERA Connect even more fun to play.

Play Various Types of Formats Easily

Media Player

Simply insert an SD Memory Card or USB memory stick into the slot to enjoy previously saved photos, video clips and music on VIERA's large screen. You can also add frames and other effects to your photos and videos, and create slide shows complete with background music. A wide variety of formats are supported, so you can listen to PC-based music files and web movies right on your TV.
* Applicable formats vary depending on the model

One Remote Controls Them All

VIERA Link™

VIERA Link interlinks the operation of various AV devices, so you can operate them all using only the VIERA remote. Setup is easy, too – simply connect the devices to each other via HDMI cables.

Eco


* The TV photos used in these illustrations may differ from the actual models being described.

Environment-Friendly Panel

Mercury and Lead Free

Panasonic is committed to making our products more friendly to the environment. In line with this commitment, all VIERA plasma display panels are free of both lead and mercury. This reduces the impact on the environment years down the road when the TV is recycled or retired from use.

Years of Beautiful Images

Long Panel Life

One important way consumers can protect the environment is by choosing high-quality products and taking care of them so they last for a long time. A high-quality VIERA HDTV can help. Thanks to a newly designed phosphor process and rear panel process, our plasma panels last for up to 100,000 hours before the brightness decreases by half. That's more than 30 years of viewing 8 hours a day.
* This measurement is based on the time taken for the brightness of the panel to reduce to half of its maximum level. The time taken to reach this level may vary depending on the image content and the environment where the TV is used. Image retention and malfunctions are not taken into account.

Searching for Waste and Automatically Saving Power

Eco Mode

This mode automatically turns the power off and adjusts the brightness depending on VIERA's operating status. Settings can be configured by selecting Eco mode from VIERA Tools.

No Signal for 10 Minutes or No Activity for 3 Hours

This setting automatically turns the power off when there's no image signal for 10 minutes or more, or when there's no activity for 3 hours or more.

Power Save

This setting adjusts screen brightness to reduce power consumption.

Adjusts Screen Brightness to Suit the Room

C.A.T.S. [Contrast Automatic Tracking System]

This detects the brightness of the room and automatically adjusts screen brightness accordingly. When the room darkens, it lowers the screen brightness and adjusts the image quality for easier viewing while suppressing power consumption.

Ecological and Easy

Power Saving Functions in VIERA Link™

The power of each connected device is adjusted depending on usage to reduce wasteful usage.

Standby Power Save

When VIERA is turned off, the power consumption of connected devices* is minimized.
* VIERA models for 2009 or above, and video products for 2009 or above compatible with Power Save or Quick Start.
** The power consumption value differs depending on the discs used in connected devices and the usage conditions.

Intelligent Auto Standby

Power consumption is minimized by using VIERA Link™ control for interconnected devices.
* VIERA models for 2009 or above, and video products for 2009 or above compatible with Power Save or Quick Start.

Design


One Sheet of Glass

Flat and lustrous, this single pane of glass is totally obstruction-free. It expresses a minimalist sense of beauty by stripping away all unnecessary elements.


Panasonic VIERA AR Setup Simulator App

Get the best Setup and viewing style for your Panasonic Viera TV



  • Progressive Full HD 3D

  • THX 3D Certified Display

  • 2500 FFD

  • Infinite Black Ultra Panel

  • VIERA Connect Wi-Fi built-in with Web Browser

  • ISFccc Calibration Mode with Advanced Calibration

  • VIERA Touch Pad Controller

  • 3D Real Sound with 8 train Speakers

  • VIERA remote App Support

  • Glass and Metal Design



    • !Energy Guide/Star - TC-P65VT50
    • !Viera Connect Cloud
    • !Progressive- 3D-FullHD
    • !2500 Focused Field Drive
    • !Infinite Black Ultra
    • !Smart Viera Engine Pro
    • !ISF ccc Calibration
    • !Glass and Metal
    • !VIERA Touch Pad Controller